Mini Reviews - XVII (Georgette Heyer)

The Toll-Gate

  - Georgette Heyer

My rating: 3 of 5 stars

I read this for the second time, while on a spree of re-reading the Heyer novels I enjoyed most. This time I revised my review of this from 4 to 3 stars.

I found it rather slow, and skipped paragraphs of mundane and irrelevant details through out the book. The romance was hardly worth the interest, though the plot - a mystery - was different from the other Heyer works I have read. I love the Heyer heroines that are strong characters with a ready wit. But Nell seems to be rather passive and subdued, though we are told that she is very efficiently managing the estate. And the basis of attraction - the larger-than-life size of the lead pair - seems rather ridiculous.

 

 

The Reluctant Widow 

  - Georgette Heyer
My rating: 2 of 5 stars

Quite a bland offering from GH. I find tiresome the kind of her heroine who is so 'excessively good natured' that she is not disturbed much even when she is aware that she has been manipulated and terribly imposed upon. She is upset for only a moment before dissolving into a smile or giggle. She is 'just the right sort' to agree to schemes and pranks that the least bit of common-sense will counter. And her vocabulary is limited enough to describe most people and events as 'odious' or 'horrible' (I counted 25 of the former and 20 of the latter - thanks to kindle search).

 

Frederica

  - Georgette Heyer
My rating: 4 of 5 stars

I have been re-reading some of the Georgette Heyer books I enjoyed the first time, and this is the only book that I loved as much the second time as well.

It is a thoroughly entertaining book, full of humor and witty exchanges, and a cast of many endearing characters who are not such paragons of virtue as to become insipid. Of course there are some dim-witted and repulsive ones, but the novel would be no fun without them! My favorite characters in this, or perhaps the whole of Heyer, are the irrepressible Felix and the irreplaceable Trevor - the former for his unconscious enthusiasm, and the latter for his quiet, sharp efficiency which doesn't preclude subtle humor.